The title plays with inversion and irony. In the children’s game, the “blind man” fumbles in search of others, grasping without sight. Here, the roles are reversed: the man, partially veiled by dark glasses, becomes the one located, grasped, and consumed. His “blindness” is both literal and metaphorical—he cannot see the fullness of what is being done to him, while the women around him are unerringly sure of their touch and desire. The buff is his nudity, laid open to their play; the scene becomes a modern carnival of exposure, turning innocence into erotic spectacle.