Short Bio

Psychoanalyst by day, photographer by the way

Statement

Drive, Desire and the Phallus: I portray psychoanalytical themes and map their manifestation in the present age. The dialectic of drive vs desire/power vs force. Force is fleeting and propulsive, whilst power is constant. Power is akin to drive and force relates more closely to desire. Desire swallows drive, but drive cannot be digested. The phallus is a symbol of power, embodied by a number of surrogates: an erect penis, a finger, a cigar, a tall building, a tree, a ferocious animal, a person of authority or anything that is a stand-in for the Other, encouraging/curbing/regulating the desire/enjoyment of the other. The Other might be God, the head of state/government, the media, the headteacher or the internet, before which/whom the dialectic is played out. The phallus is the signifier of power while a penis is a signifier for the male gender; the former sometimes encapsulates the latter. The phallus is akin to drive while a penis is akin to desire. When they are brought together, the union is sublime, and what results is absolute but finite power and force. When they are separate, it becomes clear that anyone—women in particular—can have the phallus even though we do not have penises, or that a man can have a penis, but no phallus or power. I consistently depict the split between the two; the locus around which the phallus reaches its apogee in orgasm and when it finally looses its power to become (again) a mere object.

Erotic Photography and Portraiture: My work illustrates the perilous edge of where vanity is sublated into shame. In between this Scylla and Charybdis what the ‘They’ (Das man) call “The self” finds its ever shifting locus. Observing a single aspect of the decrees of the City of Domes, I have tended to work with models in their early to mid-20s whom I choose for their personalities and interesting appearances. I use traditional headshots to portray the models engaging directly with the viewer. Eye contact is crucial as a portrait functions both as a mirror and very much like an icon in Orthodox Christian churches—reflecting the one viewing/bringing the viewer into the presence of something greater. For my erotic sets, I cast the models in uncanny Kafka-esque scenes, portraits or tableaux whose surroundings are surreal and morally ambiguous. Similar to the portraits, they direct their stare into the camera in a performative way, catching the viewer in their gaze and challenging them to keep watching. 

Buildings and Landscapes: Alongside portraiture and erotic photography, I have tended to embrace architecture and nature to articulate the subject matter of object relations. I follow my intuition as to how a picture of a place or object will turn out. For a place or thing, it will be a space if I get a sense of welcoming, creativity and change. It will be an edge if I get a sense of restriction, resistance or limitation. I am also passionate about capturing obscure aspects of buildings and outdoor scenes, and bringing the viewer into an appreciation of how these details may differently focus their vision on alternative (and Archimedean) points of movement.

Biography

Nora Geist was born in Udine, Italy and moved to London, England when she was five. She is the youngest child of a British military official who grew used to moving house frequently at an early age. She graduated from the H-Farm International school in Treviso, Italy where she defiantly came out as a lesbian at the age of 16. She received her first camera as a gift at the age of 17, and she began taking snapshots of friends and family, who sat for creative portraits and tableaux. After earning her first degree in psychology from the University of Paris 8, Nora enrolled in the Associazione Italiana di Psicoanalisi qualify as a psychoanalyst. She went on to earn a Ph.D. in psychoanalysis from the New School for Social Research in New York City where she subsequently practiced as a psychoanalyst for ten years before returning to Europe. Nora's early work (1990–1995) illustrated erotic scenes where the nude models seemed to be trapped within an oppressive and stifling “erotisphere”. Her later compositions (1996—present) shifted to feature more traditional portraits (featuring many of the same models from her earlier work as well as others), as well as landscapes, cityscapes, photographic collages and still lifes. She has retired from practicing psychoanalysis and is a consultant in behavioural psychotherapy. She is married to Alessandra and they have two grown children.  

Resume / CV

OK Harris Gallery 1997

The Alternative Museum 1999

Exit Art  2001

Piccadilly Gallery 2004

Seattle Erotic Art Show  2010 

ARTundressed 2017 

Rochester (New York, USA) Erotic Art Festival  2018

Erotic & Bizarre Art Film Festival  2018

Tag! Queer Shorts Festival  2019

The Lift-Off Sessions  2019

BIDEODROMO  2019

Planet 9 Film & Art Festival 2019

Kino London Film Festival  2020

Triple SSS (Sensual, Sexual, Smut Erotic Art Exhibit)  2020 

Motion for Pictures  2020

New Dreams International Film Festival  2020

Gorst Underground!  2020

6ix Screams International Film Festival 2020 (Best Experimental)

AltFF Alternative Film Festival 2020

Couch Film Festival 2020

Roxie Roz Burlesque  2021

OGA (S)EXHIBITIONS 2020/2021 

New York Nil Gallery 2021

Strandlines LGBTQ+ History Month—February 2021 (www.strandlines.london)

Filmoptico International Art Visual and Film Festival 2021

Gravedigger Dave's Anthology Festival 2021

Caligari. Festival Internacional de Cine de Terror 2021

Horror Lust Film Festival 2021

Hallucinea Film Festival 2021

Guttercast Film Festival 2021

Fear in the Fens Film Festival 2021

Serbest International Film Festival 2021

Indie Movies Spark Film Festival 2021

Pure Magic International Film Festival 2021

Horror Unleashed Film Festival 2021

Bleedingham Horror Film Festival 2021

Bad Film Fest 2021

Horror Unleashed Film Festival 2022

18 USC section 2257

All photographs were posed by professional models unless otherwise noted. All models were 18 years of age or older at the time of the shoot. Neither said photos nor the words used to describe them are meant to represent the models’ actual conduct, statements, identities or personalities. Any similarity between the characters portrayed by the models and actual individuals living or dead is purely coincidental.

All photographs displayed on this website in the galleries marked with a parental advisory are exempt from 18 USC Section 2257 and 28 CFR Part 75 because said visual depictions were created prior to 3 July 1995.