‘Quocumque perrexeris ibi es’ (2022): Photographs that trace—not simply depict or critique—the afterburn of the Brexid-19 condition, where the Symbolic order falters and repetition masquerades as endurance: reinventing, keeping calm, carrying on, being carried, carried out, undead. These images do not merely record place but register the persistence of structure under erasure: the residue of a subject caught between the fantasy of continuity and the Real of rupture. What persists is not presence but trace—neither mourning nor memory, but the return of conditions that were never fully symbolised. Cameras used: Konica Minolta DiMAGE Z5–>iPhone 7. *Click on each thumbnail to view the larger picture with details.
