‘Diversity of difficulties’ (1991—present): Photographs at the end of the beginning—photos caught in the suspended time of a symptom. What continues in Britain is not progression but disjunction: the persistence of what fails to cohere. Some of it old, some new, most of it borrowed—on permanent loan, as if history were a deferred return. These are not documents of continuity but of structural lack: scenes where the Real breaks through the symbolic stitching, exposing the unfinished grammar of a nation that no longer knows what it means to be whole. Camera range: Polaroid 600 Impulse—> Pentax ME—>Konica Minolta DiMAGE Z5. *Click on each thumbnail to view the larger picture with details. Models: from UK, USA, Italy & Ireland
